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玩具之旅1高清海报 - 星影逸看_国产休闲影视逸享轻刷免费看,免 VIP 无广告不卡,短剧喜剧片随心看,免播放器超清完整版无限播免费在线观看
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玩具之旅1

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影片信息

8.0

872人评分

英语

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影片简介

  让我们走入史上最具标志意义、价值数十亿美元的玩具品牌背后,听缔造者介绍这些玩具沉浮兴衰的历程。

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爱在长征高清在线观看 - 星影逸看_国产休闲影视逸享轻刷免费看,免 VIP 无广告不卡,短剧喜剧片随心看,免播放器超清完整版无限播
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爱在长征

评分:4.0

更新时间:02月20日

主演:Benedict Short,Margaux de Wilde

简介:

影片讲述两个20岁刚出头,跟中国有些渊源的年轻人重走长征路的故事。男孩名叫Benedict Short,他是中英混血,母亲是中国人,父亲是英国作家Philip Short, 曾写过《毛泽东传》。女孩名叫Margaux De Wilde,她的母亲是加拿大人,父亲是法国人。她读小学时,身为外交官的父母被派往北京,她的童年时光是在中国度过的。                                                                        两位主人公在北京同一所大学学习中文,他们在这里相识、相爱。在一堂“中国近代史”课上,两人第一次听到老师讲中国长征的历史;他们被那些当年参加红军长征的战士和历经磨难的红军故事所震撼。于是,他们决定骑着摩托车沿着当年红军长征的足迹,亲自去参观那些故事的发生地。然而,他们的决定在最开始,受到了男孩母亲的反对,但是最终还是被男孩说服了,于是在他们临行前,男孩母亲给两位主人公讲述了他们家庭和长征的故事,并给了一些当年的信物,于是两人出发了。                                                                        两人从长征的起点江西省瑞金出发,沿途经过湖南、广西、贵州、云南、四川等省。他们专程拜访当年参加过长征的老红军和在长征中牺牲的红军战士的后代,听他们讲过去的故事,在当年红军长征经过的地方,他们遇到更多的是跟自己同龄的年轻人,有艺术家、舞蹈家、手工匠人、运动员等。除了遇到这些可爱的人,他们还走过城市、山间、雪山、草地,无数次被中国壮美的山河美景吸引。他们被红军精神和现在人的美好生活所感染,看到了新中国是如何诞生,感受到新中国是如何成为世界第二大经济体的。                                                                        本片于第八届北京国际电影节纪录片单元获得“特别推荐奖”。

阅读量:2784

年份:2019

爱在长征

主演:Benedict Short,Margaux de Wilde

情感的力量高清在线观看 - 星影逸看_国产休闲影视逸享轻刷免费看,免 VIP 无广告不卡,短剧喜剧片随心看,免播放器超清完整版无限播
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

玩具之旅1

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